Modernism - is a philosophical movement that,
along with cultural trends and changes, arose from wide-scale and far-reaching
transformations in Western Society during the late 19th and early 20th
centuries. Among the factors that shaped modernism were the development of
modern industrial societies and the
rapid growth of cities, followed then by reactions of horror to WWI Modernism also
rejected the certainty of enlightement thinking, and many modernists rejected
religious belief.
Modernism, in
general, includes the activities and creations of those who felt the
traditional forms of art, architecture, literature, religious faith,
philosophy, social organization, activities of daily life, and even the
sciences, were becoming ill-fitted to their tasks and outdated in the new
economic, social, and political environment of an emerging fully industrialized
world. The poet Ezra Pound's 1934
injunction to "Make it new!" was the touchstone of the movement's
approach towards what it saw as the now obsolete culture of the past. In this
spirit, its innovations, like the stream of consciousness novel, atonal(or pantonal) and twelve tone music, divisionist painting and abstract art, all had
precursors in the 19th century.
A notable
characteristic of modernism is self-consciousness and irony concerning literary
and social traditions, which often led to experiments with form, along with the
use of techniques that drew attention to the processes and materials used in
creating a painting, poem, building, etc. Modernism
explicitly rejected the ideology of realism and makes use of the works of the past
by the employment of reprise , incorporation, rewriting, recapitulation, revision and parody.
Some
commentators define modernism as a mode of thinking—one or more philosophically
defined characteristics, like self-consciousness or self-reference, that run across
all the novelties in the arts and the disciplines. More common, especially in the West,
are those who see it as a socially progressive trend of thought that affirms
the power of human beings to create, improve and reshape their environment with
the aid of practical experimentation, scientific knowledge, or technology. From
this perspective, modernism encouraged the re-examination of every aspect of
existence, from commerce to philosophy, with the goal of finding that which was
'holding back' progress, and replacing it with new ways of reaching the same end. Others focus on
modernism as an aesthetic introspection. This facilitates consideration of
specific reactions to the use of technology in the First World War, and
anti-technological and nihilistic aspects of the works of diverse thinkers and
artists spanning the period fromFriedrich Nietzsche (1844–1900)
to Samuel Beckett (1906–1989).